What was the need for a new version of Delhi 6's Masakali? We were really happy listening to the original track and to be honest, we did not want anyone to touch it, and ruin it forever. But, Tanishk Bagchi, as usual, wanted to experiment with some or the other track and this time around, he chose to pick Masakali. Within a few days, he turned a happy track into a romantic number and totally ruined it. Sachet Tandon and Tulsi Kumar have given their voices for Masakali 2.0, and they received the wrath of social media users too. People trolled the trio left, right and center for spoiling the original track for them.
Apart from social media users, A.R. Rahman (composer of Masakali), Rakeysh Omprakash Mehra (director of Delhi 6) and Prasoon Joshi (lyricist of Masakali) expressed their displeasure over the new version of Masakali. Mohit Chauhan, who crooned the original number, also expressed that the makers of Masakali 2.0 should have taken permission from the original creators. Needless to say, Masakali 2.0 also sparked a meme fest on Twitter as the social media users ripped apart the song.
Check out the best Masakali 2.0 memes here:
Say No to Remix songs?#Masakali2 pic.twitter.com/fqJuDraRhx
??AaYuu?? (@A_BrahminGirlll) April 8, 2020
*after listening to tanishk bagchi's remake*#Masakali2
Every music lover : pic.twitter.com/DtggZ2p1cj
rishika chimania (@ChimaniaRishika) April 8, 2020
Mohit Chauhan to Tanishk Bagchi: pic.twitter.com/MxRGE5qntf
Aayush Saxena (@saxenaayush19) April 9, 2020
Good Songs Exits T-Series Re-create it pic.twitter.com/k7QIA7gdak
Rudro?? (@Rudro04) April 8, 2020
*A good Bollywood Song Exists*
T-Series: #Masakali2 pic.twitter.com/ZtSyKLQm4J
Sagar (@sagarcasm) April 8, 2020
Filmmaker Hansal Mehta also slammed the makers of Masakali 2.0 for ruining the original track. "Yes. I am reacting to the awful, ear-shattering #Masakali version. But check its YouTube views in 48 hrs. Then see how DJs blast it at events. And how people groove to the godawful version," he tweeted. In his series of tweets, Hansal also wrote, "This 'recreation' of old songs can stop if the public rejects them. The numbers on YouTube for godawful versions of old songs are huge and hence music companies keep producing them."
It is high time that we, as an audience, need to stop encouraging the recreation of old numbers. If we, as an audience don't do it, who will?
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